Over its two-week run, the exhibition design evolved. In the first week, the display emulated the White Cube; in the second, the space became a reading room where visitors could handle the publications.

I also presented a series of photographs, created with Juho Huttunen, showing the works in my home—again questioning modes of display and the relationship between original and documentation. This dialogue extended to the cube’s exterior, which featured notes on my thesis and the exhibition itself.