A collaboration with photographer Francisco Gonzalez Camacho exploring how context reshapes perception. Chalk pebbles, collected and photographed in a white-cube setting, take on unexpected sculptural qualities – prompting questions of origin, scale, and value. The accompanying catalogue is intentionally stripped back, focusing on tactile presence over explanation. Borrowing its title from Cy Twombly, the work frames these sea-formed objects as a visual poem shaped by time.